CRITIC FOR CHANGE

I am interested in defining a context for dance criticism, where that context can help educate about why certain work in the dance field is causing a digression rather than an advancement of intellect and experimentation within the field. If given enough information about why something is well crafted, or conversely, a little empty, would someone be able to navigate their own way into firstly, having an opinion, and secondly, choosing the intellectually more complex, and likely more difficult to watch art?

An ongoing project.........

BILL T JONES and ANNE BOGART       |      "a rite"

AKRAM KHAN/SYLVIE GUILLEM       |       "sacred monsters"

MATTHILDE MONIER     |       "qu'est ce qui nous arrive?"